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Try gptel-mode - your chats are in org buffers, and you can save/restore sessions easily. Also plays nicely with mcp.el for more tooling access.


gptel-mode (I have it at C-c L) is great!



Yes! Thank you so much. I’ve been trying to remember where I read that for almost a year now.


I’d be interested to hear your opinion after reading the book, he covered a lot of what you mention. The burning is covered, but then it goes back and goes over everything leading up to that to frame it and put the act in context, and IIRC talks a bit about things after.


Array.isArray is available in the runtime, but it was a later addition so folks may be downloading it for compatibility. There is a LOT of that in the javascript ecosystem.

https://developer.mozilla.org/en-US/docs/Web/JavaScript/Refe...


85-90dB seems to be the where the concerns for hearing damage start, if sustained for 8+ hours.

Some useful (official) tables and charts: https://www.osha.gov/dts/osta/otm/noise/standards_more.html https://www.osha.gov/dts/osta/otm/new_noise/images/fig3.gif

And this has a nice listing of levels/safe listening times: http://www.dangerousdecibels.org/education/information-cente...


vi: runs everywhere, installed by default on most linux distributions.

emacs: incredibly customizable, you can re-write the way your editor works. Some features that I find important: editing files remotely over SSH, running a shell inside the editor (so the same editing commands work in the shell), easy to write custom file finding functions for searching different parts of a codebase, git integration (a semi-GUI interface to git), and if another editor has a feature, someone has probably created a package that adds that functionality to emacs. Also has tetris and pong.


In an audition, musicians are usually asked to play a mix of prepared and sight-read pieces (though sometimes the sight reading is from standard repertoire, so they may have encountered before). Both are helpful in discerning how qualified the musician is. And sight-reading is incredibly important for most jobs musicians get hired for - in most freelance situations, they'd get a 3 hour rehearsal, or essentially a guided run through of the performance, then they play the gig. So that may not be an accurate analogy, given that writing on the fly isn't part of the programming repertoire - most programmers are allowed to think before they write anything down. Also musician's don't write - performing is very different than writing- so perhaps a composer would be a better analogy.

Maybe it would be a more accurate measure of ability to ask software engineering applicants to read code and explain what it does, or to judge them as you'd judge a composer, by their portfolio.


That would be an interesting way to apply something like re-captcha: ask them to fix two bugs in open source applications. One bug that you've actually already fixed, so you know how hard it should be and can calibrate; the second bug is open.


How about just asking them to code something - anything - in say, a couple of hours?


To make this useful for an interview, you have to set it up so that people can't submit things they've coded up before in a much larger timeslot.


Not all codes are created equal.


IANAL either, but easements[1] may apply here, depending on how broadband cable is classified.

And I'm not remembering the terms for this, but I've heard there are situations where your neighbor building his fence on your land and you not taking action within a certain amount of time would cede that part of your land to your neighbor.

1. https://en.wikipedia.org/wiki/Easement


Easements are a form of encumbrance upon a title. Though real estate law varies by state in the US, access easements are typically the only form of easement established by use...i.e. Passage across the property for physical access to another property. Any other easement must typically be recorded.

Recording an easement requires paperwork at the courthouse, doc stamps, and approval of any lien holders (such as a mortgager). The reason is that the lien holder has a secured interest in the property secured by the title - that they have joint ownership is the easiest way to think about it.

But rest assured, that if you build a fence on your neighbors side of the line its his fence. You can have a contract that gives you the right to access it and prohibits your neighbor from demolishing it, but it's with your neighbor as an individual. If they sell the property the new owner owns the fence and is not bound by the contract.


I use that chair too (at home). Just about everyone who's visited and tried it said it was one of the most comfortable chairs they've used. Only disadvantage (for me at least) is that the arm rests aren't adjustable, but they are removable.


They also mention in the post that the old violins were shipped, and no adjustments made, which means bridges could be improperly positioned, sound posts in poor positions... having these properly adjusted can make the difference between a great sounding instrument and a screech.


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