> I live under a rock. Why is musk hated so much in here?
Let's say for a moment that you "live under a rock" enough that you actually haven't got a clue why Musk is such a hated figure (not only just here, but across a huge portion of humanity)...
You should count yourself lucky that you haven't been absolutely assaulted by the monstrosity known as "modern media". You're one of the fortunate few. Enjoy your life. It's better than many.
But lying (e.g. “full self driving next year”) and cheating (too early inclusion of spacex into various indexes) and whatever dogde was, should explain most of it.
Connections with other disliked characters doesn’t help either.
He promotes right-authoritarian politics (including a Nazi salute he later denied but watch the video), promotes “race science” and xenophobia, lies and exaggerates a lot, openly attempted to bribe voters in an election, and a lot of nasty personal stuff has come out.
He’s lost his mind IMO, from drugs and extreme social media addiction. As for the right-authoritarian “fash” stuff I’m not sure if it’s always been there or if it’s an opportunistic infection.
I still give him credit for helping push the EV revolution forward and for finally building reusable rocket boosters. The latter has been talked about and studied for decades before and is clearly the best way to make a reusable launch system but NASA and its “old space” contractors never executed on it. Probably because overly complicated approaches like the shuttle and disposable rockets were more short term profitable.
But note that all that stuff happened for the most part before the mid-teens, or at least that was when Musk made his contribution to it. I don’t think his mind is what it was.
If he’d died in 2015 he would be the GOAT. Die a hero or live long enough to become a villain.
IKEA is the only furniture store with a four-letter name in that same typeface in yellow on a blue building even though it is called 'STYR' here. It is the only furniture store using that uniform, also blue-yellow, for its personnel. The game maker clearly used IKEA as an inspiration but forgot that 'inspiration' is not the same as 'duplication'. They could have made the building red, used a serif typeface and a 7-character name, dressed their 'personnel' in red-green uniforms, etc. and IKEA would not have bothered them. Now, they did, and right they were.
The factory builder game Captain of Industry has a building you can add on to a settlement which sells household goods and furniture to the population. It's a blue building with yellow trim and a big sign on the front that says IDEA. I wonder if this is just small potatoes enough of a parody that IKEA wouldn't care about it.
FC3 is generally quite favorably reviewed. NMS could have been far more interesting if about 25% of the planets had relatively peaceful weather, wildlife, and sentinels, and had palatable color schemes, but near every single planet is either +200C, -200C, or radioactive, and the calm ones are lunar landscapes or barren.
What is meant here is that there are different musical cultures around the world, and if you grew up in one that, for example, prominently uses quarter-tones/microtones (e.g. a lot of music from Arabic and Indian cultures) then we know that you will have a different reaction to, say, Bach, than someone who grew up in a culture that uses strict equal temperament.
It does not mean "my parents played a lot of <X> and that doesn't sound good to me".
I grew up with Western music, and now Arabic music is one of my favorites. I really don't think Westerners hear semitones differently. Also, a lot of Arabic music is 12-tone, and even if it weren't, they probably appreciate Bach the same way.
You can re-train your ear of course. But on average a lot of people used to western music feel that classical arabic/indian music with half/quarter tones in it sounds 'out of tune'/wrong.
I really like classical arabic music. But when I tried to play the half tones in a tune I studied hard on the syrian guy I was playing with told me to please not attempt those because I was horribly out of tune :-P . Not because I played a half tone, of course. He did play them. But because my half tone was subtly slightly off the right half tone.
I think you have to be extra careful with things like the bayati scale besides just being in tune. The quarter-tone has its role but is easy to misuse, like staying on it too long. The opposite is pentatonic where you can spam random notes and nothing sounds too bad, but it's not very interesting, and then blues or 8-note Western scales are in the middle.
When it's done well, I don't notice unless I'm looking for it. Like speaking of Syria, I think this George Wassouf song uses quarter tones, not even sure https://www.youtube.com/watch?v=DsD7ixyFm90 . It's more noticeable in oud solos, but someone who doesn't know better could write it off as just the way the instrument sounds.
No, people don't "hear semitones differently" but ... practicing musicians from one culture will choose to use semitones, quartertones and microtones differently, and a listener with a lot of musical exposure will notice this when listening to music that does and does not involve such practices.
Doesn't look like really a "v2" to me, rather v1 a bit re-arranged. A true "theory" able to explain present music (or even Jazz from the seventies) and also support its creation is still widely lacking, or just a naive variation of what was used for classical music. Tymoczko & co go a bit in a more general/useful direction where the theory eventually can also be used to define algorithms which can "compose" credible contemporary music, but still a long way to go. The latter is like the "litmus test" from my humble point of view whether a theory is indeed useful.
Perfect pitch is not correlated with the ability to see written notes and immediately know how to play them on any instrument. It is only barely correlated with the same but for singing the note.
I do not have perfect pitch, but I could always do what GP's kid does. I am now a pretty good amateur singer.
What matters for this is learning to read the music notation and developing a sense (mostly subconscious) of scales and harmony. Perfect pitch does not help either of those things.
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